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About

About MCP

The working identity for Peter J. Knight's practical, editorial and technical work across cinema, media and projection.

MCP:
Media | Cinema | Projection

Originally known as Mad Cornish Projectionist, MCP has evolved into a broader platform for media, cinema and projection work. Cinema remains at the heart of it, but the direction now extends into consultancy, training, writing, research, technical development, curated resources and new platform ideas.

The name now describes both the experience behind the work and the different ways that experience is applied: solving practical problems, explaining specialist subjects clearly, preserving useful knowledge and developing new tools or formats where they can add value.

Rooted in experience. Open to what comes next.

Experience

Built on long experience

Peter J. Knight has worked in cinema since 1997 across projection, presentation, technical operations, writing, training, editorial work and systems thinking. That mix of practical and strategic experience shapes MCP's approach: grounded in how things actually work, but always looking at where they need to go next.

A background in metadata and systems since 2000 adds another strand: understanding how information is organised, connected, documented and made useful. MCP brings those operational, editorial and structural perspectives together rather than treating them as separate disciplines.

The route here has included projection and cinema technology, BBC and archive work, product and information systems, audiovisual and event delivery, and BFBS Movies on the Road. Peter's continuing industry work includes Cinema Technology Magazine and long-standing involvement with the Cinema Technology Community. Those are not decorative credentials; they are different views of how content, equipment, people and audiences meet.

Working in cinema since 1997

Metadata and systems background since 2000

Technical, editorial and training crossover

Hands-on operational and presentation experience

Industry context

Connected to the working industry

Peter's editorial work with Cinema Technology Magazine connects MCP with current questions across exhibition, equipment, operations and audience experience. His long involvement with the Cinema Technology Community adds training, knowledge-sharing and an international professional network.

MCP remains Peter's own professional home. These connections explain the breadth and currency of the work; they are not presented as client endorsements or borrowed authority.

Sectors

Rooted in cinema. Relevant beyond it.

Cinema remains the foundation, but the skills behind MCP also connect to wider areas including media technology, live and event environments, presentation systems, heritage knowledge, visitor experience and future-facing creative development.

Cinema and exhibition Media technology Training and knowledge Creative systems Heritage and archive Presentation and experience
Approach

How the strands connect

MCP is most useful where practical experience, clear communication and technical thinking need to meet.

Practical delivery

Consultancy, technical support and project thinking shaped by hands-on operational and presentation experience.

Knowledge and communication

Training, writing and editorial work that makes specialist material useful without flattening its detail.

Development and research

Structured exploration of archives, data, workflows and platform ideas, with a practical reason for the work.